Choose from 48 items in our Watercolor paintings Collection
Lioness and Cubs 1827-1837 France. Barye strove for anatomical accuracy in his sculptures, and his watercolors show his interest, shared with Delacroix
Design for a Fan Featuring a Landscape and a Statue of the Goddess Hina 1900-1903 France. Watercolor and gouache, with touches of pen and black ink, over traces of graphite
Study for the Sculpture Ugolino and His Children 1860 France. Pen and brown ink and opaque white and gray watercolors with white oil paint and black watercolor over black chalk on brown wove paper
Don Juan and the Commander's Statue (Last Scene of Mozart's Don Giovanni) caDon Juan and the Commander's Statue (Last Scene of Mozart's Don Giovanni) ca.1825-30 Alexandre Evariste Fragonard Alexandre Evariste Fragonard was the son of the late rococo painter
Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso) ca. 1800 Hubert Robert French This drawing was originally part of an album that contained 152 sketches made by Hubert
Green and Blue The Dancer 1888-1898 United States. Inspired by Greek sculpture and Japanese prints, James McNeill Whistler became entranced with portraying the female form clad in diaphanous drapery
An Artist Adoring a Statue of Virtue 1783 France. Elegant and morally uplifting scenes like the one featured in this highly finished small painting in watercolor
Jaguar Standing 1830-1850 France. A Romantic artist working in Paris, Barye was the foremost master of bronze animal sculpture
Monument project for Jeanne d'Arc on the forecourt of Notre-Dame, 1903Monument project for Jeanne d'Arc on the forecourt of Notre-Dame, 1903. Pierre-Henri Mayieux. Monument project to Jeanne d'Arc on the forecourt of Notre-Dame, 1903. Feather, pencil, watercolor
The feast of being supreme at the field of March on 20 Prairial An II (June 8, 1794) Thomas-Charles Naudet (1778-1810). The feast of the Supreme Being in the Champ de Mars
Interior decoration project of the Madeleine Church, Restoration Anonymous. Internal decoration project of the Madeleine Church, Restoration era. Paris (SIRED ARR.). Feather, watercolor wash
Fountain project in the center of the Place du Throne (currently Place de la Nation, 1862)Fountain project in the center of the Place du Throne (currently Place de la Nation, 1862 Leon Lyconnerie (1803-1879). Fountain project in the center of Place du Throne (currently Place de la Nation)
The Luxembourg Garden, 1859 William Wyld (1806-1889). The Garden of Luxembourg, 1859. Watercolor on pencil traits
View of the royal bridge taken from the bridge, near the statue of Henry IV Knight Louis Nicolas de Lespinasse (1734-1808). View of the Royal Bridge Taking Pont-Neuf, near the Statue of Henry IV
Hairdresser's interior domestic decoration project; Pompete styleHairdresser's interior domestic decoration project; Pompete style Anonymous. Hairdresser's interior domestic decoration project; Pompeian style. Pencil, watercolor on layer
Place du Chatelet and the palm column Auguste Hibon (1780-1857). Place du Chatelet and the palm column. Feather and watercolor. Paris (IER ARR.), 1810-1820
"MAGNSY Older" shop facade project; Pompete style Anonymous. MAGNSY Older shop facade project; Pompeian style. Pencil, watercolor on layer
Chairs, Tuileries show, 1760 (with the Carved Group of Enea and Anchise, LePautre) Gabriel Jacques de Saint-Aubin (1724-1780). The Tuileries show: the chairs
Rue de la Paix, current 2nd arrondissement and place Vendome Current 1st arrondissement, under the restoration Simon-Claude Constant-Dudeux (1801-1871)
French Republic / Statue for the place of the water tower Balls S. (2nd half nineteenth century). "French Republic / Statue for the place of the water tower"
Sarah Bernhardt Sculpture Workshop Marie-Desiree Bourgoin (1839-1912). Sculpture workshop of Sarah Bernhardt. Watercolor. 1877. Paris, museum of romantic life
Interior view of the cloister of the Saint-Etienne-du-Mont Church, 1818. Jean-Baptiste Marshal. "Inner view of the cloister of the Saint-Etienne-du-Mont Church", 1818. Watercolor
Figures in a Colonnade ca. 1780 Hubert Robert French Leaning on fragments of fallen columns or overturned entablatures, soldiers and peasants focus their regard on an ancient statue of a seated man
Nude figure on hands and knees 1900-1910 Auguste Rodin French Rodin rarely included any setting or background in his drawings of female nudes
Gardens of the Villa d'Este at Tivoli 1760 Charles Joseph Natoire French Director of the French Academy in RomeGardens of the Villa d'Este at Tivoli 1760 Charles Joseph Natoire French Director of the French Academy in Rome from 1751 to 1775, Natoire taught many young French artists
The Parable of the Wise and Foolish Virgins ca. 1799-1800 William Blake British Blake painted four versions of this subject for his patron Thomas Butts and this lucid watercolor is the earliest
Interior of Saint Peter's ca. 1758 Hubert Robert French In this ink and watercolor drawingInterior of Saint Peter's ca. 1758 Hubert Robert French In this ink and watercolor drawing, Hubert Robert delineates the architecture of Saint Peter's where the Scala Regia connects the Vatican
View of the Campidoglio with the Statue of Marcus Aurelius 1762 Hubert Robert French Hubert Robert is known to have made counterproofs of his drawings to reproduce a unique work of art in duplicate
Design for the Spire of the Church of Our Lady in Copenhagen ca. 1738-42 Vincents Lerche Danish Design for the spire of a church in a Northern Baroque style
Classical Interior with a Statue of Hercules ca. 1800-1811 Attributed to Jean-Arnaud Raymond This drawing contains a view of a classical interior, likely a temple or palace
Equestrian Statue of Marcus Aurelius 1757 Hubert Robert French The painter and draftsman Hubert Robert, who spent eleven years in Rome (1754-65) studying at the French Academy
Pedestal Design for the Seventh Regiment Memorial in Central Park ca. 1868 Jacob Wrey Mould This pedestal design relates to a memorial statue that stands in Central Park on West Drive near 69th
Side chair (one of a pair) ca. 1815-20 Circle of Josef Danhauser The years between 1815 and 1848 in Germany and Austria were characterized by a conservative political and cultural climate
Indian Figure in Profile 1851 Henry Kirke Brown American In September 1848 Brown traveled to Michigan's Mackinac Island with his patron, Henry Gurdon Marquand
Hunting Still Life in a Forest 1784 Wybrand Hendriks Dutch This richly saturated watercolor displays the trophies of a recent hunt
Portrait of George, 5th Duke of Marlborough, with Blenheim in the Distance 1817-21 Richard Cosway British The British miniaturist Cosway used graphite to create this small full-length portrait
Interior Elevation of Reims Cathedral with a Statue of King Louis II 1815 Charles Percier French This sheet shows an elevation of part of the interior of Reims Cathedral with a statue of King Louis
Sculptress, 1897. Eugene Grasset (French, 1841-1917). Lithograph with watercolor added by hand; sheet: 64. 5 x 49Sculptress, 1897. Eugene Grasset (French, 1841-1917). Lithograph with watercolor added by hand; sheet: 64.5 x 49.5 cm (25 3/8 x 19 1/2 in.); image: 53.1 x 37 cm (20 7/8 x 14 9/16 in.)
Sheet of Studies and Sketches, 1858. Edgar Degas (French, 1834-1917). Graphite, pen and brown ink, and watercolor; sheet: 30.3 x 23.5 cm (11 15/16 x 9 1/4 in.)
Inauguration of the Boulevard du Prince Eugene (currently Voltaire Boulevard) Place de la Nation Leon Lyconnerie (1803-1879)
House project Pierre Louis Moreau. House project. Feather, watercolor
Interior Elevation of Reims Cathedral with a Statue of King Louis I and an Altar placed at Front 1815 Charles Percier French This sheet shows an elevation of part of the interior of Reims Cathedral
Interior Elevation of Reims Cathedral with a Statue of King Louis I 1815 Charles Percier French This sheet shows an elevation of part of the interior of Reims Cathedral with a statue of King Louis I
Willey Reveley, 1760-1799, British, Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head, ca. 1785
Peter DeWint, 1784-1849, British, Achilles Statue, Hyde Park, London, undated. Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Thomas Rowlandson, 1756-1827, British, Statue of George II, Greenwich, undated. Graphite, pen and brown ink, and watercolor on medium, slightly textured, cream wove paper
Sir Robert Smirke the younger, 1781-1867, British, Antique Sculpture, 1802-1804. Watercolor, graphite, gray wash on moderately thick, moderately textured, beige, wove paper
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