Fine art Collection

Choose from 463 items in our Fine art Collection

[Landscape with Clouds] probably 1856 Roger Fenton British The towering figure in British photography of the 1850s, Fenton championed the medium's place among the fine arts

Colt Model 1851 Navy Revolver with Thuer Conversion for Self-Contained Cartridges, Serial no. 27060 1853; converted for cartidges, ca

Goblet ca. 1475-1500 (modern foot) Italian, Venice, Murano This fine, deep blue Venetian glass bears exquisite enameling, an early survival of this technique and scale of decoration

Virgin and Child 1475-99 Master of the Saint Ursula Legend Netherlandish Devotional images of the breastfeeding Virgin, the Virgo lactans, became extremely popular in fifteenth-century painting

Lotto Carpet 17th century The palette and design of this carpet recalls the famous "Lotto" carpets, named after a well-known altarpiece by Italian Renaissance painter Lorenzo Lotto

Terracotta jug in the form of Dionysos 1st century B. C. Greek or Roman Vases modeled into human or animal form were
Terracotta jug in the form of Dionysos 1st century B.C. Greek or Roman Vases modeled into human or animal form were made throughout the Hellenistic period with head-shaped flasks

Paperweight 1801-1900 Munzthal. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying

Portrait of an Old Man ca. 1475 Hans Memling Netherlandish This sympathetic portrayal of an elderly man once formed a diptych with a portrait of an old woman (Museum of Fine Arts, Houston)

Parrying Gauntlet Made 1550-1590 Italy. In rapier combat, various techniques called for left-handed daggers, shields, or bucklers to parry (ward off) or bind an opponentis blade

Paperweight 1841-1860 Baccarat. The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects

Paperweight 1840-1860 Clichy. The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects

Ensemble third quarter 17th-19th century Russian This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing

Paperweight 1841-1860 Saint-Louis. This paperweight uses a traditional glass-making technique called millefiori to great effect

Paperweight 1800-1899 France. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying

Paperweight 1801-1900 Baccarat. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying

Paperweight 1841-1860 France. The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects

Paperweight 1801-1900 Baccarat. The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects

Paperweight Made 1840-1865. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying

Paperweight 1848 Baccarat. The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects

Paperweight 1800-1899 Clichy. This paperweight uses a traditional glass-making technique called millefiori to great effect

Pembroke Table c 1790 Philadelphia. Named for the woman who first commissioned a table of this type in England around the mid-18th century

Paperweight 1848 France. The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects

Mirror Frame with Tree of Life Motif 1601-1800 India. This exquisite Mughal mirror frame of pale-green nephrite jade is inlaid with gems in the kundan technique

Virgin and Child c 1500 Central Italy. Although frequently described as a humble and austere medium, clay was perennially popular during the Italian Renaissance

Paperweight Made 1840-1865. This paperweight uses a traditional glass-making technique called millefiori to great effect. Italian for ione thousand flowers

Paperweight 1843-1860 Luneville. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying

Paperweight 1840-1860 France. The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects

Paperweight 1801-1900 Baccarat. This paperweight uses a traditional glass-making technique called millefiori to great effect

Paperweight 1800-1899 France. This paperweight uses a traditional glass-making technique called millefiori to great effect

Paperweight 1843-1860 Baccarat. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying

Paperweight 1848 France. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying

Paperweight 1840-1860 Saint-Louis. This paperweight uses a traditional glass-making technique called millefiori to great effect

Paperweight 1800-1899 France. The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects

Tankard (Hanap) with Tulips, Hyacinths, Roses, and Carnations 1570-1599 Turkey. This cylindrical tankard (hanap) is a fine example of the ceramics produced at Iznik (located southeast of Istanbul)

Paperweight 1848 Saint-Louis. This paperweight uses a traditional glass-making technique called millefiori to great effect

Paperweight 1843-1860 France. This paperweight uses a traditional glass-making technique called millefiori to great effect

Paperweight 1841-1860 Baccarat. This paperweight uses a traditional glass-making technique called millefiori to great effect

Paperweight 1801-1900 Saint-Louis. The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects

Paperweight 1801-1900 France. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying

Paperweight 1840-1860 Clichy. This paperweight uses a traditional glass-making technique called millefiori to great effect

Paperweight 1840-1865 Baccarat. The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects

Paperweight 1840-1865 Clichy. This paperweight uses a traditional glass-making technique called millefiori to great effect

Paperweight 1840-1865 France. The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects

Paperweight 1840-1865 Baccarat. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying

Paperweight 1843-1860 Munzthal. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying

Paperweight 1843-1860 France. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying

Paperweight 1848 France. This paperweight uses a traditional glass-making technique called millefiori to great effect. Italian for ione thousand flowers

Paperweight 1801-1900 Luneville. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying

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