The Cleveland Museum of Art Collection

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Square Multi-Season Pieced Shawl, 1880s. India, Kashmir, 19th century. 2/2 twill tapestry (S), double interlocked, pieced; wool; overall: 194.9 x 193 cm (76 3/4 x 76 in.)

Picturesque and Romantic Travels in Old France, Picardie: The Belfry Tower of Amiens, Picardie (Voyages pittoresques et romantiques dans l'ancienne France, Picardie : La Tour du Beffroi d Amiens)

Illustration for the song, "A l'Eau", by George Docquois appearing on the last page of October 23
Illustration for the song, "A l'Eau", by George Docquois appearing on the last page of October 23, 1896 publication of "Gil Blas Illustre": Gil Blas Illustre

The Quadrangle, Bart's Hospital, 1938. William Walcot (British, 1874-1943), H. C
The Quadrangle, Bart's Hospital, 1938. William Walcot (British, 1874-1943), H. C. Dickins (subseqent to Dickins manuscript). Etching, drypont and aquatint;

Two Dappled Horses Exercising, 1822. Theodore Gericault (French, 1791-1824). Lithograph;

The Public Writer, 1825. Antoine Cecile Hortense Haudebourt-Lescot (French, 1784-1845), Delpech. Lithograph;

Reynard the Fox: The Cat Calls Reynard to Court, 1650-75. Allart van Everdingen (Dutch, 1621-1675). Etching;

The Calumny of Apelles, c. 1500-1506. Girolamo Mocetto (Italian, c. 1458-c)
The Calumny of Apelles, c. 1500-1506. Girolamo Mocetto (Italian, c. 1458-c. 1531), after Andrea Mantegna (Italian, 1431-1506). Engraving;

A Path Through a Wood, c. 1860. Major Francis Gresley (British). Albumen print from wet collodion negative; image: 29.5 x 24.1 cm (11 5/8 x 9 1/2 in.); matted: 50.8 x 40.6 cm (20 x 16 in.)

Tomb Relief of the Chief Physician Amenhotep and Family, c. 1279-1257 BC. Egypt, Asyut, New Kingdom, Dynasty 19, reign of Ramesses II, 1279-1213 BC

Half-length Portrait of a Seated Woman, 1781. Charles-Nicolas Cochin (French, 1715-1790). Black chalk; sheet: 16.5 x 11.4 cm (6 1/2 x 4 1/2 in.); secondary support

Fragment of Woodblock Printed Cotton, c. 1770. France, Jouy, 18th century. Woodblock print on cotton and linen mixed; overall: 79.6 x 61.6 cm (31 5/16 x 24 1/4 in.)

The Resurrection, 1588. Philipp Uffenbach (German, 1566-1636). Etching;

Jane Avril, 1893. Henri de Toulouse-Lautrec (French, 1864-1901). Lithograph;

The Passion: Ecce Homo, c. 1480. Martin Schongauer (German, c. 1450-1491). Engraving;
The Passion: Ecce Homo, c. 1480. Martin Schongauer (German, c.1450-1491). Engraving;

Interior of St. Stephen's Cathedral in Vienna, c. 1810. Karl Friedrich Schinkel (German, 1781-1841)
Interior of St. Stephen's Cathedral in Vienna, c. 1810. Karl Friedrich Schinkel (German, 1781-1841). Lithograph; sheet: 46.2 x 31.5 cm (18 3/16 x 12 3/8 in.); image: 24 x 15.8 cm (9 7/16 x 6 1/4 in.)

Der Schatzbehalter, 1491. Attributed to Michael Wolgemut (German, 1434-1519). Woodcut;

Leaf from a Cocharelli Treatise on the Vices: Acedia and Her Court, c. 1330. Italy, Genoa. Ink, tempera, and gold on vellum; sheet: 16.3 x 10.3 cm (6 7/16 x 4 1/16 in.)

Scene in Union Square, New York, on a March Day, 1860. Winslow Homer (American, 1836-1910). Wood engraving;

Chalice Cover (?), 1587. Italy, 16th century. Embroidery; silk and gold file on linen; overall: 55 x 77.5 cm (21 5/8 x 30 1/2 in.)

Album of Landscape Paintings Illustrating Old Poems: Two Women Sit at a Table within a Circle Visible in a Landscape, 1700s. Hua Yan (Chinese, 1682-about 1765)

A Lancashire River, 1881. Francis Seymour Haden (British, 1818-1910). Etching and drypoint;

Reynard the Fox: Reynard Tricks the Wolf, 1650-75. Allart van Everdingen (Dutch, 1621-1675). Etching;

Christ the Redeemer (Salvator Mundi), c. 1490-1500. Israhel van Meckenem (German, c. 1440-1503). Engraving;

Landscape, 1775. Zhai Dakun (Chinese, d. 1804). Album leaf: ink and color on silk; overall: 41. 2 x 31
Landscape, 1775. Zhai Dakun (Chinese, d. 1804). Album leaf: ink and color on silk; overall: 41.2 x 31.5 cm (16 1/4 x 12 3/8 in.)

Textile Book Cover, 1800s. Japan, 19th century. Silk; average: 19. 1 x 12. 7 cm (7 1/2 x 5 in. )
Textile Book Cover, 1800s. Japan, 19th century. Silk; average: 19.1 x 12.7 cm (7 1/2 x 5 in.)

La roche qui tremble, 1890. Auguste Louis Lepere (French, 1849-1918). Wood engraving;

Reynard the Fox: Reynard Doing Penance, 1650-75. Allart van Everdingen (Dutch, 1621-1675). Etching;

St. Anthony Falls from Across the River, c. 1850s. America, 19th century. Daguerreotype, half-plate; image: 10. 8 x 16
St. Anthony Falls from Across the River, c. 1850s. America, 19th century. Daguerreotype, half-plate; image: 10.8 x 16.5 cm (4 1/4 x 6 1/2 in.); case: 12 x 15.3 cm (4 3/4 x 6 in.); matted

Collection of Various Caprices and New Designs of Cartouches and Ornaments: No 17, 1646. Stefano Della Bella (Italian, 1610-1664). Etching;

Verona Sketchbook: Left arm and hand (page 46), 1760. Francesco Lorenzi (Italian, 1723-1787). Black chalk with white heightening ; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in.)

Portrait of Etienne Francois, comte de Stainville, duc de Choiseul, mid to late 1700s. Jacques Thouron (Swiss, 1740-1789)

A Canal in Venice, Italy, c. 1900-1920. Edward Crosby Doughty (American, 1877-1952). Gelatin silver print; image: 19.5 x 24 cm (7 11/16 x 9 7/16 in.); mounted

The Exhibition, 1897-1898. William Nicholson (British, 1872-1949). Lithograph; sheet: 15. 6 x 1. 4 cm (6 1/8 x 9/16 in)
The Exhibition, 1897-1898. William Nicholson (British, 1872-1949). Lithograph; sheet: 15.6 x 1.4 cm (6 1/8 x 9/16 in.); image: 7.1 x 7.4 cm (2 13/16 x 2 15/16 in.)

The Good Samaritan. Alphonse Legros (French, 1837-1911). Etching;

Taffeta, Brocaded, c. 1790. France, 18th century, Louis XVI Period (1774-1793). Taffeta, brocaded; overall: 50. 8 x 40
Taffeta, Brocaded, c. 1790. France, 18th century, Louis XVI Period (1774-1793). Taffeta, brocaded; overall: 50.8 x 40.6 cm (20 x 16 in.)

Architecture of the Middle Ages: Shrine of the Countess de la Warre in Boxgrove Priory, Sussex, 1838. Joseph Nash (British, 1808-1878). Lithograph;

Birds and Ducks on a Snowy Islet, mid-1200s. China, Southern Song dynasty (1127-1279). Album leaf; ink and slight color on silk; overall: 26 x 24.6 cm (10 1/4 x 9 11/16 in.)

The Vision of St. Francis of Assisi, 1590. Pietro Faccini (Italian, 1562-1602). Etching;

Portrait of Meyer Heine, 1860s. Felix Bracquemond (French, 1833-1914), A. Cadart & Bard Hausmann, 56, Paris. Etching; sheet: 35.7 x 50.8 cm (14 1/16 x 20 in.); platemark

Portrait of the Artist and His Model, 1899. Anders Zorn (Swedish, 1860-1920). Etching;

Chestnutting, 1870. Winslow Homer (American, 1836-1910). Wood engraving;

Sampler, 1831. Germany, Early 19th century. Embroidered cotton; overall: 34 x 36. 5 cm (13 3/8 x 14 3/8 in. )
Sampler, 1831. Germany, Early 19th century. Embroidered cotton; overall: 34 x 36.5 cm (13 3/8 x 14 3/8 in.)

Fragment of a Lintel: Hapiu's Female Musicians, 380-343 BC. Egypt, Late Period, Dynasty 30. Limestone; overall: 27
Fragment of a Lintel: Hapiu's Female Musicians, 380-343 BC. Egypt, Late Period, Dynasty 30. Limestone; overall: 27.2 x 3.5 cm (10 11/16 x 1 3/8 in.)

The Water Genius, 1896. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Courses de Chantilly, 1841. Clemente Pruche (French, 1831-1870). Lithograph;

Old Maids at a Sale of Curiosities. Thomas Rowlandson (British, 1756-1827). Pen and brown and gray ink and watercolor wash;

Germantown Eyedazzler Saddle Throw, c. 1875. America, Native North American, Southwest, Navajo, Post-Contact
Germantown Eyedazzler Saddle Throw, c.1875. America, Native North American, Southwest, Navajo, Post-Contact, Late Classic Period

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